Self-Published is not a Dirty Word

Self-Published is not a Dirty Word Self-Published is not a Dirty Word Self-Published is not a Dirty Word By Maeve Maddox In the old days, publishing companies that catered to writers who were willing to pay to have their books printed were called Vanity Presses. Family historians aside, writers who paid to publish were assumed to have failed in selling their work to a real publisher because it wasnt good enough, but they were determined to see their words in print anyway; hence the word vanity. This perception has changed along with the publishing industry. Diversity suffered when the little houses were gobbled up by the big ones. Todays conglomerates are unwilling to buy a book unless they feel it will generate a huge readership. As a result, many books that would appeal to a significant number of readers are rejected because the house doesnt think theyll appeal to a large enough audience. William P. Youngs book is a case in point. Youngs novel The Shack has been on the NY Times best seller list since June. He wrote the book as a Christmas gift for his family. They passed it around and friends urged him to publish it. One of the friends, Brad Cummings, says that Christian publishers turned it down because it was too edgy, and secular publishers turned it down because it was too Jesus-y. The book didnt fit publishers guidelines, but it has certainly hit the spot with readers. Sales of The Shack have passed the million mark and show no sign of abating. Books that sell a million copies, no matter who publishes them, are rare. According to one estimate, a major publisher considers a book a success if it sells 20,000 copies, whereas a smaller publisher might be happy with sales of 7,500 copies. Writers who make the decision to self-publish need to know what theyre getting into. Theyll have to be managers and marketers as well as writers. Theyll have to watch out for publishing scams that prey on the inexperienced. Self-publishing isnt for everyone, but it is valid way to get your book into circulation. At the least, an energetic marketer can expect to cover expenses and earn a modest profit. And theres always the possibility that the book may grab the attention of a larger public. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Freelance Writing category, check our popular posts, or choose a related post below:Definitely use "the" or "a"List of 50 Great Word Games for Kids and AdultsRite, Write, Right, Wright

Calculate Solubility of AgCl From Solubility Product

Calculate Solubility of AgCl From Solubility Product This example problem demonstrates how to determine the solubility of an ionic solid in water from a substances solubility product. Problem The solubility product of silver chloride (AgCl) is 1.6 x 10-10 at 25  °C.The solubility product of barium fluoride (BaF2) is 2 x 10-6 at 25  °C. Calculate the solubility of both compounds. Solutions The key to solving solubility problems is to properly set up your dissociation reactions and define solubility. Solubility is the amount of reagent that will be consumed to saturate the solution  or reach the equilibrium of the dissociation reaction. AgCl The dissociation reaction of AgCl in water is: AgCl (s) ↔ Ag (aq) Cl- (aq) For this reaction, each mole of AgCl that dissolves produces 1 mole of both Ag and Cl-. The solubility would then equal the concentration of either the Ag or Cl ions. solubility [Ag] [Cl-] To find these concentrations, remember this formula for solubility product: Ksp [A]c[B]d So, for the reaction AB ↔ cA dB: Ksp [Ag][Cl-] Since [Ag] [Cl-]: Ksp [Ag]2 1.6 x 10-10 [Ag] (1.6 x 10-10) ½ [Ag] 1.26 x 10-5 M solubility of AgCl [Ag] solubility of AgCl 1.26 x 10-5 M BaF2 The dissociation reaction of BaF2 in water is: BaF2 (s) ↔ Ba (aq) 2 F- (aq) The solubility is equal to the concentration of the Ba ions in solution. For every mole of Ba ions formed, 2 moles of F- ions are produced, therefore: [F-] 2 [Ba] Ksp [Ba][F-]2 Ksp [Ba](2[Ba])2 Ksp 4[Ba]3 2 x 10-6 4[Ba]3 [Ba]3  ¼(2 x 10-6) [Ba]3 5 x 10-7 [Ba] (5 x 10-7)1/3 [Ba] 7.94 x 10-3 M solubility of BaF2 [Ba] solubility of BaF2 7.94 x 10-3 M Answers The solubility of silver chloride, AgCl, is 1.26 x 10-5 M at 25  °C.The solubility of barium fluoride, BaF2, is 3.14 x 10-3 M at 25  °C.

Ikea smilaraties and defferences among international competitors Essay

Ikea smilaraties and defferences among international competitors - Essay Example Due to these, the company had a hard time gaining recognition by consumers in the market. However, in an attempt to develop economically and increase the customer base, the organization started considering the operational details, cost control, and constant product development. This attributes made the company unique from its opponents. In terms of making itself dissimilar to its opponents, IKEA uses the differentiation strategy effectively and efficiently. In this strategy, IKEA gazes for economic advantage through offering products that are alleged to be superior and different from the products of competitors by its consumers owing to its unique features. For instance, the superiority of the products. Secondly, the organization seeks to be different in its market along some magnitudes that are treasured among consumers. It chooses a single or several attributes that many consumers in a market perceive as significant and exclusively positions itself to accomplish those needs. To conclude, IKEA also has a unique price that is fairly lesser than other competitors are, thi s lower price comes from the large-scale procurement the company is involved in, thus making them superior to

What Are Staff Perceptions Of Safeguarding Children And How The Essay

What Are Staff Perceptions Of Safeguarding Children And How The Implement Into Practise - Essay Example This essay stresses that the concerned staff members maintain their responsibility towards the children in effective manner. Additionally, analysis of the staff perception with respect to safeguarding of children signifies the fact that the practitioners are aware of their duties and responsibilities and practice. However, the presentation provided to the practitioners has proved to be more beneficial as it has further enhanced the quality of services provided to the concern child. The collected data also signifies that the children are most vulnerable to different situation of abuse in nursery setting. However, facilitating proper communication between staff, parents, teachers as well as children required to maintain proper environment of nursery and care. Moreover, the staff members interacts with the higher authorities in order to solve different issues with respect to child abuse is highly important. This paper makes a conclusion that the staff members are regarded to have provided with proper training with the aim of enhancing their ability and skills timely. Safeguarding of children not only requires development of proper environment, but also requires for proper identification of abuse faced by the children. In this regard, it can be recommend that providing facilities to develop competency skills can be beneficial for both the staff members as well as service providers to facilitate better care to children.

Americans without Health Insurance Essay -- Medical Insuance Health

The Uninsured States of America Nearly 48 million Americans had no health care coverage in 2005, and the number will continue to grow if this country does not enact new policies to defuse this crisis (Families USA 2). Families USA, a nonprofit and nonpartisan organization that advocates for public health contracted with Dr. Kenneth Thorpe, Professor and Chair of the Department of Health Policy and Management at Emory University, to analyze data from the U.S. Census Bureau and other national databases to study the fiscal impact on this country of so many uninsured people. This study, released in June 2005, found that the overwhelming majority of uninsured people are workers in low-wage jobs (Families 10). With the advent of national welfare reform in 1996, millions of people entered the low-wage workforce and lost their Medicaid eligibility. According to Judith Feder, Dean of Policy Studies at Georgetown University, â€Å"Since most people leaving welfare find themselves in low-paying jobs without coverage, loss of public coverage leaves them without health coverage altogether† (Feder 29). Moreover, many corporations, pressured by global competition to hold down labor costs, are increasingly asking their employees to share a greater portion of the escalating cost of health insurance premiums, if employers offer benefits at all. In fact, a study by the Commonwealth Fund reports that more than one-quarter of workers in companies with over 500 employees do not receive employer-based coverage, and that one in every three full-time workers with incomes below $35,000 is uninsured (Commonwealth 1). Low-wage workers are therefore caught in an untenable situation. They do not qualify for Medicaid and cannot afford to buy hea... ..."The State of Health Care." The Heritage Foundation. 21 January 2004. The Heritage Foundation. 13 Mar. 2006 . "Paying a Premium." Families USA. 1 June 2005. Families USA. 20 Mar. 2006 Rowland, Diane. Committe on Ways and Means. 9 March 2004. House Committee on Ways and Means. 13 Mar. 2006 . "The Uninsured: A Primer." Kaiser Family Foundation. 1 January 2006. Kaiser Commission on Medicaid and the Uninsured. 20 Mar. 2006 . Wilson, Katherine. "Snapshot: Health Care Costs 101, 2005 Edition." CHCF. June 2005. California Health Care Foundation. 13 Mar. 2006 .

Gothic Themes in Edgar Allen Poe’s “the tell-tale Heart” Essay

In â€Å"The Tell-Tale Heart,† Edgar Allan Poe revolves the story around a raving individual and the object in which he obsesses over. This theme of insanity is progressed throughout the entire story by Poe’s style of gothic writing. Gothic-style writing is defined by using these elements: abnormal psychological behavior, creating a gloomy or threatening atmosphere, connections between the setting and its characters’ thought processes or behavior, and supernatural components. Poe’s usage of these gothic elements builds up the central theme in the â€Å"The Tell-Tale Heart.† Poe’s major element of gothic literature, which establishes the main theme of insanity, is the use of abnormal psychological behavior. The narrator proves his insanity at the very beginning by ranting about his nervousness and states his fear that the reader will assume he is mad, â€Å"How, then, am I mad? Hearken! And observe how healthily–how calmly I can tell you the whole story,† (The Gold-Bug and other tales*, pg. 74). The mere fact that he is afraid of being thought of as a madman does not prove that his psyche is abnormal. Poe manifests the narrator’s insanity by having him state that his preconceived murder has no purpose, â€Å"It haunted me day and night. Object there was none. Passion there was none,† (GB, pg. 74). The reader can see the narrator’s madness again after he divulges his plan to the reader, stating, â€Å"Ha!–would a madman have been so wise as this?† (GB, pg. 74). Eventually the narrator’s mind g ets the best of him and he kills the old man, but afterwards, his attitude is down right odd and sadistic, â€Å"In an instant I dragged him to the floor, and pulled the heavy bed over him. I smiled gaily, to find the deed so far done,† (GB, pg. 76). By having the narrator smile after killing the old man, Poe creates a picture of a raving lunatic in the readers’ mind. As the plot heightens, so does the narrator’s dementia. Police officers arrive at the narrator’s home shortly after he has finished disposing of the body. Feeling supercilious, the narrator invites them in to chat; sitting directly over the old man’s dismembered body. Hearing what he thinks to be the old man’s heartbeat, the narrator’s nervousness grows while he is chatting with the police officers. Poe, once again, show’s us the narrator’s insanity through his resulting actions, â€Å"I foamed–I raved–I swore! I swung my chair upon which I had been sitting, and grated it upon the boards,† (GB, pg. 77). The reader can really see the  climax of the narrator’s abnormal psyche when he actually thinks that the police of ficers can hear the beating heart too, â€Å"They heard!–they suspected!–they knew!–they were making a mockery of my horror!† (GB, pg. 78). In â€Å"The Tell-Tale Heart† Poe creates this kind of dismal and frightening atmosphere that is traditional to gothic style writing. By choosing dark or depressing words, Poe creates a dreary mood for the reader. This mood then reflects upon the characters’ thinking in the story. The narrator describes the old man’s eye, his fixation throughout Poe’s story, â€Å"One of his eyes resembled that of a vulture–a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold,† (GB, pg. 74). The vulture is a creature of death, and by using this animal instead of another, Poe creates the sense of true evil, not just any old, ugly eye. The word pale gives the eye a quality of dullness or lifelessness, both of which have negative connotations; the film over the eye makes it repulsive to the reader, adding to the full effect of how grotesque this eye really was to the narrator. The reader can perceive from the mood that Poe creates in the story, what is going on in the mind of the narrator. The way that Poe has the narrator describe this eye shows the absolute hatred that he feels towards this eye. It gives the reader insight as to why the narrator is plotting this horrible murder. Each night, the narrator explains, how he goes into the old man’s room, describing it as â€Å"black as pitch with the thick darkness,† (GB, pg. 75). Poe writes the story so that the entire plot occurs at night, during this ‘thick darkness’, making the narrator’s motives even more frightening. The atmosphere surrounding the narrator also reflects upon his emotions. He is about to commit murder, and action full of darkness and hatred, and Poe places the story in a dark, frightening setting instead of during the day or in the light of the narrator’s lantern. This feeling of fright is again created for the reader, by Poe, when the narrator goes into the old man’s room, startling him, â€Å"And it was the mournful influence of the unperceived shado w that caused him to feel–although he neither saw nor heard–to feel the presence of my head within the room,† (GB, pg. 76). Emptiness and a mechanical like quality set the tone for when the narrator speaks of the old man being dead and what he did with the dead remains, â€Å"he was stone, stone  dead†¦First of all I dismembered the corpse. I cut off the head and the arms and legs,† (GB, pg. 76). That quote alone is enough to frighten any reader, and that is exactly what Poe is aiming for by using this particular gothic writing technique. The reader can again see into the mind of the narrator. He is devoid of feeling for this old man, stating that the old man is ‘stone dead’; further more, he meticulously explains the steps of ridding himself of the body after murdering the old man. Poe’s last gothic writing technique to enhance the theme of insanity is the use of supernatural components throughout the story. By having the eye torment the narrator until he viciously murders the old man, Poe is bringing a supernatural aspect into â€Å"The Tell-Tale Heart.† The narrator’s hatred for the old man’s eye is unexplainable, and the narrator himself does not even know why he came up with the idea, â€Å"It is impossible to say how first the idea entered my brain,† (GB, pg. 74). This eye almost possesses the narrator, becoming the driving force of his insanity. Another aspect of the supernatural at work in Poe’s story is when the narrator hears the beating of the old man’s heart in his own ears. It’s obviously impossible to hear the beating in the intensity at which the narrator describes it, â€Å"the sound would be heard by a neighbor,† (GB, pg. 76), but Poe adds this sentence to enhance the story’s supernatural aspect. Right after the narrator killed the old man, he could still hear the heart beating, again this feat is impossible, â€Å"for many minutes, the heart beat on with a muffled sound,† (GB, pg. 76). Even after the beating stopped, according to the narrator, it began again, once the police arrived. Poe makes it clear that the beating heart is not just the narrator listening to his own heart, or imagining the sound in his head, â€Å"until, at length, I found that the noise was not within my ears,† (GB, pg. 77). An unexplainable noise that grows louder and louder can only be the work of the supernatural. For the narrator even believes that the police officers can hear the beating too, and are making a mockery of his horror. Poe cleverly intertwined this idea of the supernatural, a gothic writing element, to intensify the lunacy of his main character. Throughout his short stories and poems, Poe uses the technique of gothic writing. In â€Å"The Tell-Tale Heart† Poe contributes to his main theme by  directly using certain gothic writing elements. More specifically, Poe uses the supernatural, gives his character an aberrant psyche, and creates a murky and chilling atmosphere that also directly correlates with the characters behavior and thinking. SUGGESTIONS: Paragraphs need to be broken up more. A little wordy NOTE: all quotations are taken directly from â€Å"the tell-tale Heart† This is an analysis of Poe’s story and his use of gothic theme writing.

General Daniel Harvey Hill in the Civil War